For more than fifty years, I have worked in the darkroom — a space where time slows down and light becomes matter. It is here that my photographs truly come to life.
The darkroom is not only a place of technique, but of meditation and discovery. Each print is the result of intuition, patience, and the subtle dialogue between paper, chemistry, and vision.
In this quiet, red-lit space, I find the tactile pleasure that no digital process can replace — the scent of the developer, the gradual appearance of an image, the uniqueness of each print.
Working by hand allows me to shape every tone and contrast with precision and emotion. The darkroom remains essential to my practice, a link between tradition and personal expression, where I can transform a simple negative into a singular, enduring artwork.